Film

A film – also called a movie, motion picture, moving picture, picture, photoplay or flick – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images.

Recording and transmission of the film

The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects.

Before the introduction of digital production, a series of still images were recorded on a strip of chemically sensitized celluloid (photographic film stock), usually at a rate of 24 frames per second. The images are transmitted through a movie projector at the same rate as they were recorded, with a Geneva drive ensuring that each frame remains still during its short projection time. A rotating shutter causes stroboscopic intervals of darkness, but the viewer does not notice the interruptions due to flicker fusion. The apparent motion on the screen is the result of the fact that the visual sense cannot discern the individual images at high speeds, so the impressions of the images blend with the dark intervals and are thus linked together to produce the illusion of one moving image. An analogous optical soundtrack (a graphic recording of the spoken words, music and other sounds) runs along a portion of the film exclusively reserved for it, and was not projected. Contemporary films are usually fully digital through the entire process of production, distribution, and exhibition.

Movie Collection

Braveheart

Braveheart is a 1995 American epic historical drama film directed by, produced by, and starring Mel Gibson. Gibson portrays Sir William Wallace, a late-13th century Scottish warrior who led the Scots in the First War of Scottish Independence against King Edward I of England. The film also stars Sophie Marceau, Patrick McGoohan and Catherine McCormack. The story is inspired by Blind Harry's 15th century epic poem The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace and was adapted for the screen by Randall Wallace.

Sommersby

Sommersby is a 1993 American period romantic drama directed by Jon Amiel from a screenplay written by Nicholas Meyer and Sarah Kernochan, adapted from the historical account of the 16th century French peasant Martin Guerre. Based on the 1982 French film The Return of Martin Guerre, the film stars Richard Gere and Jodie Foster, with Bill Pullman, James Earl Jones, Clarice Taylor, Frankie Faison, and R. Lee Ermey in supporting roles.[2] Set in the Reconstruction era following the American Civil War, the film depicts a farmer returning home from the war, with his wife beginning to suspect that the man is an impostor.

Stranded (2002 film)

Stranded is a 2002 television adventure drama film directed by Charles Beeson, based on Johann David Wyss's 1812 novel The Swiss Family Robinson.

The Notebook

Duke reads the story of Allie and Noah, two lovers who were separated by fate, to Ms Hamilton, an old woman who suffers from dementia, on a daily basis out of his notebook.

The Conjuring

The Perron family moves into a farmhouse where they experience paranormal phenomena. They consult demonologists, Ed and Lorraine Warren, to help them get rid of the evil entity haunting them.

The Witches of Eastwick

Three single women in a village have their wishes granted at a cost, when a mysterious and flamboyant man arrives in their lives, to satisfy all their desires. Will good triumph over evil?

Film theory

"Film theory" seeks to develop concise and systematic concepts that apply to the study of film as art. The concept of film as an art-form began in 1911 with Ricciotto Canudo's manifest The Birth of the Sixth Art. The Moscow Film School, the oldest film school in the world, was founded in 1919, in order to teach about and research film theory. Formalist film theory, led by Rudolf Arnheim, Béla Balázs, and Siegfried Kracauer, emphasized how film differed from reality and thus could be considered a valid fine art. André Bazin reacted against this theory by arguing that film's artistic essence lay in its ability to mechanically reproduce reality, not in its differences from reality, and this gave rise to realist theory. More recent analysis spurred by Jacques Lacan's psychoanalysis and Ferdinand de Saussure's semiotics among other things has given rise to psychoanalytic film theory, structuralist film theory, feminist film theory, and others. On the other hand, critics from the analytical philosophy tradition, influenced by Wittgenstein, try to clarify misconceptions used in theoretical studies and produce analysis of a film's vocabulary and its link to a form of life.

Movie

First motion pictures

By the end of the 1880s, the introduction of lengths of celluloid photographic film and the invention of motion picture cameras, which could photograph a rapid sequence of images using only one lens, allowed action to be captured and stored on a single compact reel of film.